Shanvi Shrivastava

Mahaveeryar

An 18th-century king suffers from an illness of persistent hiccups. Meanwhile, a godman accused of stealing a temple statue in the present day defends himself in a contemporary court, where the two tales meet to unravel a satirical take on society.

无上尊者

故事以1980年代的卡纳塔克邦的一个虚构小镇为背景。这部印度电影，在叙事方式和文化内涵上都有明显的印度特色。它是一个喜剧-动作-歌舞-悬疑电影。在叙事上，它像很多印度电影一样，并不太在意故事的比重协调。故事并不复杂，片长却达到了三个小时。可能就像印度的社会状况一样，它并不回避杂乱，相反，却可能成了它的特色。印度神话也是杂乱的。影片名字和故事情节都关联着印度神话的指涉或隐喻。如果不了解这方面的印度神话，那么对剧情的理解应该会大打折扣。

Geetha

Akash, a software professional who comes from a broken home, is a cynical younger who does not really believe in the idea of love. But when he learns about his father's past and encounters love in close proximity in his life, does he find a happy ending?

恶人

Rama or Ravana, whose ideologies work better? Two shrewd minds battle it out in a one-upmanship game. Who will win?

Mufti

An undercover cop goes into the big bad world of Ronapura, an place taken over by a don named Bhairathi Ranagal, where his safety may be compromised.

Tarak

Tarak, the grandson of a Bengaluru-based businessman who grows up in Europe is reluctant to visit India despite several pleas by his grandfather. All goes well for him until he falls in love with Meera, a selfless person who lives for the happiness of oth

Sundaranga Jaana

Lucky, a forgetful man, falls for Nandana and conceals his absent-mindedness by pretending to be a philanthropist. However, he has to deal with her father and Ajay, her suitor.